A: The crew was just me and co-director Ana Paula Hirano. This allowed us to become very close to the families in the film, which I think was fundamental to sharing their stories. We got to know them, followed them from Brazil to Japan, and filmed them for many years. We did some of the most powerful interviews at their houses at two in the morning. I think that this intimacy is one of the defining characteristics of the film. Just as much as the filming, though, One Day We Arrived in Japan is the result of what turned out to be a massive editing project – shaping over 150 hours of footage of three families over ten years into a compelling 80-minute film with a coherent and engaging narrative structure. Ana Paula and I did a lot of editing over the years, but after filming was finally complete in 2015, four excellent filmmakers joined the team and made wonderful creative contributions. First, Marlom Meirelles became the film’s creative consultant and co-editor, and together we reviewed all of the footage and edited multiple versions over the course of ten months. Then, co-editor Luelane Corrêa and I collaborated for two months, revising the film and adjusting scenes and transitions frame by frame. Felipe Lacerda, during two intense weeks as editing consultant and finishing editor, helped develop a more compelling narrative structure and improve the film on every level. Finally, Ricardo Cutz did the sound editing and sound mix, and the team at O2 Pós did the image post-production. So, what started as a two-person project became a massive team effort. And hundreds of people from around the world have provided support and advice, for which we are extremely grateful. It has been quite a saga.
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PRODUCER / CREATIVE CONSULTANT / EDITOR
Marlom Meirelles has produced and directed several award-winning films. His short film The Bricked Girl (A Emparedada da Rua Nova) was screened at Cannes and other international film festivals. Meirelles won a script competition with a project entitled Among Women (Entre Mulheres, 2012), a documentary on women’s rights and gender. In 2015 he produced and directed the short film Button Eyes (Olhos de Botão), a fictional suspense/thriller set near his hometown in the countryside of Pernambuco, Brazil.
SYNOPSIS
Spanning 10 years and 10,000 miles, One Day We Arrived in Japan shows the stories of three Brazilian families who set off to Japan in search of a better future – a mother and daughter, a young couple, and a family of four with a small child. The film captures the passage of time, forming layers of memory and revealing how the families’ dreams and expectations stand up to a grueling new reality on the other side of the world. Since 1990, hundreds of thousands of Brazilians of Japanese descent have gone to Japan to work. This unique documentary brings to light the gripping personal stories behind a major transnational phenomenon.
(Brazil/USA, 2018, 80 min.)
Filmed in Brazil and Japan from 2006 to 2016.
In Portuguese and Japanese, with English subtitles.
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